carriehopefletcher:

thebobblehat:

thefoodispeople:

dottewa:

a-void-reality:

GO WATCH THIS SHOW, HONESTLY IT IS SO AMAZING. 

IF THIS POST CREATES 1 NEW PUSHING DAISIES FAN MY LIFE = MADE. 

Alright let me help out then:

1) Most of the cast is female. In fact only two main characters are male.

2) Both male characters take typically non-masculine hobbies. Emerson Cod knits almost non-stop and makes pop-up books. Ned is literally called “The Pie-Maker” because he bakes homestyle pies from his mother’s method. Both are shown to be very nurturing and even maternal characters. Conversely, the women? A pair of professional travelling show performers that have gritty sexual scandals the way men usually get (see the entire “Chuck’s father” storylines), a beekeeper who is the single most positive and optimistic character imaginable, and a former professional jockey- Three of four pro athletes.

3) You could very easily make the claim Ned is asexual.

4) Yes, the storyline is about romance. But it’s also about the positive side of a love story, and their only drama lies in overcoming their inability to actually share contact.

5) A very good friend of mine recommended this show to me as “Disney for adults.” I told her it was already on my list to watch because “It’s by Bryan Fuller, from Wonderfalls and Dead Like Me.” Bryan Fuller is now most known for “Hannibal.” The same camera methods and bright colours and lighting techniques Hannibal is known for? Perfected in this show, just using a different tone- The same colour methods in reverse, upping the vivid greens and yellows instead of reds and blues, which sells emotion both ways.

7) Probably one of the best examples of a modern day fairy tale possible.

8) Narrated by Jim Dale- The narrator for the HP audio books.

I don’t know if anyone’s already added links to this, but all of these here work and if you hover over the links, an episode description shows :)

Season 1:

  1. Pie-Lette
  2. Dummy
  3. The Fun in Funeral
  4. Pigeon
  5. Girth
  6. Bitches
  7. Smell of Success
  8. Bitter Sweets
  9. Corpsicle

Season 2:

  1. Bzzzzzzzzz!
  2. Circus Circus
  3. Bad Habits
  4. Frescorts
  5. Dim Sum Lose Some
  6. Oh Oh Oh… It’s Magic
  7. Robbing Hood
  8. Comfort Food
  9. The Legend of Merle McQuoddy
  10. The Norwegians
  11. Window Dressed to Kill
  12. Water & Power
  13. Kerplunk

May I just say, before I saw this gifset explaining the show, I just thought that PD was about a really adorable germ-a-phobe.

Pushing Daisies is one of my all time favourite shows. Gutted it only had two season but those two seasons are PHENOMENAL! 

(via penny-is-the-new-thrones32)


patternicity:

This is one of the saddest things I have ever seen.

(via zea7)


spaceracementalcase:

neopets knows

spaceracementalcase:

neopets knows

(via zea7)


elasticitymudflap:

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oh yeah mister krabs

(via lahmps)




gamercrunch:

Found this ad in a Nickelodeon magazine from 2004.

gamercrunch:

Found this ad in a Nickelodeon magazine from 2004.

(via zea7)



foreveralone-lyguy:

When your parents try to act cool around your friends like

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(via ruinedchildhood)


tyleroakleysslave:

Literally me though. 
(VIA) I’M A VEGETARIAN

tyleroakleysslave:

Literally me though. 

(VIA) I’M A VEGETARIAN

(via hi)


mama-killuhsessa:

Greatest artist to live

mama-killuhsessa:

Greatest artist to live

(via ruinedchildhood)


getoffmybloghoe:

getoffmybloghoe:

louijia board

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(via pizza)


(via kitxel)


So last night I got drunk and played Skyrim

feignedaffections:

variablejabberwocky:

tatterdemalionamberite:

karlosmadera:

I’m still torn on whether this is the greatest thing I’ve ever done or the stupidest. 

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teratocybernetics:

#this makes me want to pay skyrim like no ad ever did

as in all Elder Scrolls games: “What main quest?”

I have never had interest in Skyrim until now.  If games were marketed like this, I would play them.

(via anti-feminism-pro-equality)


sourcedumal:

lady-yuna:

2srooky:

mockingatlas:

prismatic-bell:

Can we just stop and talk about this for a minute?

Thresh doesn’t make an alliance. Thresh doesn’t waste time liking her. Thresh knows that either he must kill her or she must kill him for one of them to win.

But this is the only way he can repay her for protecting Rue when he couldn’t. It’s the only way he can repay her for honoring Rue when he couldn’t. He honors her by sparing her friend, the girl who would have died for her.

The revolution really doesn’t start with Katniss.

It starts with Rue.

SOMEBODY FINALLY SAID IT

This is exactly the point I’ve been trying to make for years. Okay, so the revolution gets it’s kindling with Katniss. She volunteers, well that’s new, she rebels in the display of talents by shooting the apple. This triggers her perfect score, okay. These aren’t really “Revolutionary” though. 

It’s not even revolutionary when Peeta professes his love, because, let’s face it, the rules of the game haven’t changed. They’re still just two kids who would have to KILL each other to win. Without a doubt, it would bring some interest to the games, so the Capitol makes propaganda about it. The “Star Crossed Lovers” in a game of life and death.

But what changes the game is Rue. Right away from her introduction in the books we know Rue is going to be somewhat of a big deal. She was compared to the most important character to Katniss, Prim, so that’s a huge indicator. She’s small, young, she’s what Prim would have been.

So Katniss instantly feels a subconscious pull toward her. 

When they meet in the trees, Katniss could have killed Rue easily, and Rue probably could have pulled a sneak attack or alerted the Careers of Katniss’s presence. Instead, Rue points out the Tracker Jacker nest.

Then it escalates, Rue and Katniss become an odd team, they’re an alliance, which is never new in the Hunger Games, as forming teams and then betraying them at the end seems to be a common, but there’s is different. It’s close, it’s sisterly, protective.

And then Rue get’s impaled. Katniss kills her first tribute with ease after that. Comparing it to hunting game. Katniss holds Rue, she cries, and then she sings. She sings for Rue a song of promised safety and warmth, something completely absent in the arena. 

And this is where the metaphorical canon fires. Katniss could have left Rue, the hovercraft would have been along to pick her up, but she can’t. She’s morally obligated to love this girl as much as possible. And this is where the revolution starts. 

She honors the dead. She honors a dead tribute from a district she’d never seen, a person she’d known for only a short period of time. But she throws away Hunger Games norms. She rejects them completely.

In the Hunger Games you’re supposed to kill mercilessly and leave the victims for the plain box they’re shipped home in. 

Katniss gives Rue a funeral in the Games, she decorates the body, she makes it look like Rue is sleeping. Like no harm had come. Katniss just ignited the coals that Rue had placed.

Rue’s District sends a parachute. Homemade bread. 

Then Thresh kills Clove and distracts Cato by taking his bag. 

The fire is going now, and the actions in Catching Fire are even more obvious.

The Speech for Rue. Peeta’s painting. Everything eludes back to this one little girl who became Katniss’s family.

So the revolution never started with Katniss, she was just the tinder for Rue’s ignition. 

Rue was the real Mockingjay.

Also, who’s four note whistle is constantly attached to the trailers?

Rue’s whistle.

Rue is omnipresent in the books and movies, and I absolutely love it.

The rebellion was started because the innocence of a black girl was defiled.

That is a powerful statement that a lot of people gloss over for this book

(via lokithefridgidbitch)